Lots of developments since my last blog post. I have given all characters a huge overhaul after attending the 2013 BAFGame festival in Bradford. There is an interesting difference in a game festival compared to Animation festivals; animation festivals you get to watch tons of animation, which is cool and you see a few speakers. With a game festival its nearly ALL speakers, and they have a lot of very interesting things to say, most of it relevant to the animation industry as well, not just game makers.
I learned a lot from some very talented professionals. Mike Bithell, creator of Thomas Was Alone showed us how much empathy you can feel for a character that is no more than and flat block of colour...
Art Director Viktor Antonov ( Half-Life 2 / Dishonored) talked about cities as a character which either aids or hinders a character...
While Brian
Horton; Senior Art Director
of Tomb Raider, showed how a characters animation
reacts with environment and how character
movements echo the closeness or space of that environment, again turning the environment into another character.
ANd not wanting to leave the animation festival out; Felix Massie's superb film 'In the air is Christopher Gray was another minimalists tour de force with simple single colour skinny characters, almost stick figures; but they ooze appeal...
...also a good example of simple backgrounds with highly polished atmospheric lighting...
And that is how I went from this over complicated, visually confusing mess...
...to this simple, iconic, easily readable form...
Complicated joints
are no longer necessary as the mind of the audience automatically fills in the
gaps giving the impression of a whole character. There are several examples of
this but I always remember the work of Dudok De Wit; bodies and feet with nothing
in between.
I even designed a robot several years ago using this design strategy but at the time I never did anything with the design...
The construction robot went through a similar redesign; this being the original design...
...this being the thumb ail sketch for the rebuild...
So this...
...became this new, cut back version...
I started to make environments using very basic blocky shapes, with the hint or a curved edge to catch the light in an aesthetically pleasing way;
...combined with atmospheric lighting and the right lens settings to give the image a shallow focal depth when needed...
...and plenty of shadows; deep shadows in areas of no detail...
Lenses; I want to
use a good mix of lenses, from telephoto to wide angle, based on standard
cinematic principles.
Lots of film noir techniques being used. Areas of deep shadow that do not actually contain anything. Film Noir came from studios having very small budgets. Areas of shadow disguised the absence of set; don't build it if your not going to see it. This made productions much cheaper to make...
It even has some nice under floor lighting coming out of an air vent, through a slow turning fan and then up through grilled flooring; again to create beams or light coming up and a great view looking down.
Beams of light play an important part in the environments, and this will be more dynamic as ceiling and floor light shave constantly rotating fans blades in front of them to give constant movement to the thin beams of light, and mesh patterns in front of the fan to give myriad fine beams of light.
Put this all together and you get an environment that has the appearance of being much more highly detailed than it actually is. Great for the production schedule!
And this environment will perform like an additional character, either helping or hindering the hero...
All in all I think this is getting interesting!
